Golden Globes: Predicting the Nominations
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Monday morning will bring the nominations for the 74th Golden Globe Awards, and The Hollywood Reporter has spoken with several of the roughly 90 members of the Hollywood Foreign Press Association, the group of LA-based foreign journalists whose votes determine them, in order to get an early read on how things will look. Before sharing that, though, it’s important to remember that the Globes and the Oscars are very different beasts — in size (there are roughly 7,000 Academy members), in scale (the Globes get to include many more films because they have categories that recognize musicals/comedies) and in taste (even with the extra category slots the Globes still didn’t even nominate Crash for best picture, and it went on to win the corresponding Oscar).
The best picture (drama) category is going to be a dogfight, as there is no clear frontrunner. Moonlight and Manchester by the Sea have dominated with critics’ groups, but are not universally loved within the HFPA — the former is small-scale and boasts no household names, and the latter is long and a downer — but sometimes the HFPA gets on board for things because they know they’ll look foolish if they don’t (e.g. 12 Years a Slave), and that’s going to happen with these. Even a weakened Weinstein Co. is strong with this group, which Harvey Weinstein has cultivated for years, and its international and inspirational Lion is right up their alley. The group also has a long track record of backing Mel Gibson, through thick and thin, and there’s no way they’re passing up Hacksaw Ridge, for which he has begun to be welcomed back into the community. The final slot probably will go to Hidden Figures, the uplifting pic from Fox, which has resonated with the group, although I wouldn’t totally write off Loving, Silence, Arrival or Captain Fantastic, which have their constituencies. Less likely with this group are Hell or High Water, Sully, Jackie, Nocturnal Animals and Patriots Day. And don’t hold your breath for Fences, which the group did not like.
La La Land, in the best picture (musical/comedy) category, is the safest bet of the day, and could wind up sweeping all of the musical/comedy-specific categories. It faces no real threat, although the group quite liked Florence Foster Jenkins (they’re big fans of Meryl Streep and Hugh Grant) and Love & Friendship. After those, put your chips on Rules Don’t Apply and 20th Century Women, while giving an outside shot to the Coen brothers’ Hail, Caesar!, from the first-quarter of the year, and The Edge of Seventeen, a more recent charmer, which they liked more than other groups. A sleeper possibility: that The Lobster and/or A Bigger Splash and/or Sing Street, early releases made by non-American directors, could be this year’s Salmon Fishing in the Yemen, aka a seemingly random indie that does way better than anyone expected.
In the best actor (drama) race, Fences‘ Denzel Washington and Sully‘s Tom Hanks are getting nominated, despite any reservations with their films, but the race actually could come down to Manchester by the Sea‘s Casey Affleck and Hacksaw Ridge‘s Andrew Garfield. That fifth slot is going to be close. Gold‘s Matthew McConaughey and Nocturnal Animals‘ Jake Gyllenhaal are admired by the group, and Captain Fantastic‘s Viggo Mortensen and Loving‘s Joel Edgerton have their fans, but The Founder‘s Michael Keaton has come on strong late in the game (it helps to have Weinstein at his back), so I’ll give him the edge.
The musical/comedy actor race feels less fluid. La La Land‘s Ryan Gosling is in, and a trio of veteran A-listers — Rules Don’t Apply‘s Warren Beatty, Florence Foster Jenkins‘ Hugh Grant and The Comedian‘s Robert De Niro — seem all but certain. I get the sense that Deadpool‘s immensely likable Ryan Reynolds will squeeze into the fifth slot, but do not count out The Lobster‘s Colin Farrell or Hail, Caesar!‘s George Clooney, both longtime favorites of the group.
On the distaff side, in the best actress (drama) race, hold seats for Jackie‘s Natalie Portman, Arrival‘s Amy Adams and Hidden Figures‘ Taraji P. Henson — they’re in. This European-dominated group also is going to have a hard time resisting Frenchwoman Isabelle Huppert for Elle. Loving‘s Ruth Negga widely is tipped for the fifth slot, but she’s still relatively unknown and soft-spoken and may not have sealed the deal with voters, who could instead opt to recognize Jessica Chastain for Miss Sloane, Marion Cotillard for Allied or even Lily Collins for Rules Don’t Apply. I have a hunch it will be Collins.
Musical/comedy actress contenders certainly will include La La Land‘s Emma Stone, Florence Foster Jenkins‘ Meryl Streep and 20th Century Women‘s Annette Bening. I’m told there’s a lot of love for Love & Friendship‘s Kate Beckinsale. And while some are voting for Hello, My Name Is Doris‘ Sally Field and Bridget Jones’ Baby Renee Zellweger, both old favorites of the group, I suspect it’s likelier we’ll see a nom for some young blood, namely The Edge of Seventeen‘s Hailee Steinfeld — the HFPA loves nothing more than being able to claim that they sent an actress on her way to stardom, and in this case Steinfeld is eminently deserving.
Supporting actor nominees likely will include Lion‘s Dev Patel, Hidden Figures‘ Kevin Costner and Moonlight‘s Mahershala Ali. Oscar favorite Jeff Bridges (Hell or High Water) seems probable. As for the fifth slot, there are a lot of possibilities — people like Florence Foster Jenkins‘ Simon Helberg, Nocturnal Animals‘ Michael Shannon and Nocturnal Animals‘ Ralph Fiennes (an HFPA fav). Put me down for Helberg.
As for supporting actress, Lion‘s Nicole Kidman, Fences‘ Viola Davis and Moonlight‘s Naomie Harris are in. Manchester by the Sea‘s Michelle Williams probably snags a slot, too. And then it’s anyone’s guesss. Some are picking Eye in the Sky‘s Helen Mirren, others one of the Hidden Figures ladies (Janelle Monae or Octavia Spencer), but I’m going with 20th Century Women‘s Greta Gerwig, of whom the group is very fond.
In director and screenplay, save slots in both for La La Land (Damien Chazelle) and Moonlight (Barry Jenkins). I’m also hearing, in the former, Gibson for Hacksaw, Clint Eastwood for Sully and Martin Scorsese for Silence, and in the latter, Kenneth Lonergan for Manchester by the Sea, Whit Stillman for Love & Friendship and Tom Ford for Nocturnal Animals, with The Lobster and 20th Century Women as possible spoilers.
The likeliest animation prospects are Zootopia, Moana, Kubo and the Two Strings and Sing. And the backers of My Life As a Zucchini have nurtured the group and seem poised to beat out bigger studio fare for the fifth slot.
Foreign language film is harder to predict, since the group is very fractured, with some members particularly loyal to certain countries or regions. Toni Erdmann (Germany) and Elle (France) are the only sure things. Land of Mine (Denmark) and The Salesman (Iran) seem likely. And that fifth slot could go to any number of options — Poland’s Afterimage, as a tribute to its recently deceased director, or Chile’s Neruda, which got a profile-boost from its director’s other film Jackie, or Belgium’s The Ardennes, a popular choice — but I’ve spoken with many voters who loved Finland’s The Happiest Day in the Life of Olli Maki, the black-and-white boxing pic that won Cannes’ Un Certain Regard prize, so, even though it may lose a few votes to another Finnish film that some voters like (Little Birds), you can put me down for that.